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01 |
Split Kick |
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09:45 |
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02 |
Once In A While |
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05:17 |
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03 |
Quicksilver |
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06:38 |
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04 |
Wee-Dot (Alternate Take) |
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|
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06:55 |
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05 |
Blues |
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|
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09:03 |
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06 |
A Night In Tunisia |
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|
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09:22 |
|
07 |
Mayreh |
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|
|
06:21 |
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|
| Cat. Number |
CDP 7 46519 2 |
| UPC (Barcode) |
077774651929 |
| Packaging |
Jewel Case |
| Recording Date |
1954 |
| Spars |
DDD |
| Sound |
Stereo |
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|
Credits
Alto Saxophone – Lou Donaldson
Bass – Curly Russell
Design [Cover] – Reid Miles
Drums – Art Blakey
Liner Notes [Original Release] – Leonard Feather
Photography By [Cover Photos] – Francis Wolff
Piano – Horace Silver
Producer – Alfred Lion
Recorded By – Rudy Van Gelder
Reissue Producer [Produced For Release] – Michael Cuscuna
Transferred By [Digital Transfer] – Ron McMaster
Trumpet – Clifford Brown
Recorded on February 21, 1954.
Tracks 4 and 5 marked: Previously unissued–does not appear on LP configuration
'During Blue Note vault research in 1975, four additional full performances from this historic Birdland recording were discovered. three of them were issued in the U.S. in 1978 as part of a Blakey double album. All four were issued in 1983 in Japan as A NIGHT AT BIRDLAND, Volume Three, which had a short playing time. Due to the expanded time limitations of the CD, half of these discoveries have been added to each of the original Birdland volumes." [Michael Cuscuna]
"The classic Blue Note albums which span the mid 1950's to late 1960's were recorded directly on to two track analog tape. No multitrack recording was used and consequently no mixing was required. Therefore, this CD was made by transferring the one step analog master to digital."